Electra Love 2000 (5/10)

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Watching Troma’s “Electra Love 2000”. I think I have uncovered a forgotten masterpiece of campy crap.

What the hell is happening?

Holy shit this is dumb.

I’m still not sure if this is good dumb or bad dumb.

I’m leaning toward bad dumb.

If we could get some titties up in here my opinion might shift.

And now it’s a musical.

Wait, is that Kim Greist?

No, it’s not.

“Dope-addicted street-stroller.” That’s a new one.

Wait, is this based on Hamlet?

I think this is based on Hamlet.

Or maybe Hamlet is based on Electra. Either way, it seems similar.

Ho’s got hooked up with a new, scrupulous pimp.

This is getting very Shakespearean.

Definitely good dumb. Maybe not even dumb at all. Still no titties though.

Pimp Shakespeare: “Life is a hell for me. I don’t even have sex any more. Do you know who washes dishes every night around here? I do. And you call me scum.”

Ho: “If you leave us, baby, the one dry candle in our dark lives will dematerialize into the infinity of non-being.” Whoa. Deep.

Ho: “We hate men, and men hate us. That’s why we get along so well.” Oh hey, titties!

Ho, with titties out: “I knew this guy once, and he believed in the concept of enemies. And he was going to be married. And then one night he listened to the president speak on television. ‘The Enemy is Evil. The Enemy commits atrocities against his peaceful neighbor. We must rush to the aid of the peaceful neighbor. Defend peace, defend freedom, defend your God, your home, your kitty cats, your trash cans.’ And he believed him. And now he’s dead, and his fiancee is a whore. That’s the joke.” Nice titties.

Ho: “Revenge for the past isn’t good.”

Boom mike.

“The promises you make as a child are the ones you must keep.”

“Vengeance is a fire that burns inside her.”

“This is a matter for doing, not for thinking.”

This is definitely a masterpiece of something.

“How can an idiot like you beat a genius like me?”

“Divide, and conquer.”

“When we find we’ve been going in the wrong direction, we must stop, and reverse ourselves.”

Oh, weird erotic poetry!

“Between the opening of of mother’s birth and the closing casket of death. And those that do not see me, do not know the happiness they have missed.”

“I sometimes think that all of us are artists that never were.”

“Political economy is an exciting field for many.”

“Oh, ménage à cinq!”

“Are you such a civilized man, your soul can’t be touched?”

“You would be surprised at the number of things that seem wicked from the outside, but are actually quite nice from within.”

Boom mike.

“I’ve always tried to seek being from nothingness.”

Fuck, I’m out of wine.

“That is my curse. I have found too much truth. People talk a lot about truth, but they won’t pay a penny for it. Lies, they’ll pay millions for.”

“In plain English, why don’t you have the guts to murder the man that killed your father.”

“I’m a free man and I determine the meaning of this game, and it means nothing to me.”

“Cops don’t protect you, Insurance agents don’t protect you. Your deodorant doesn’t protect you. And your magic charms really don’t protect you.”

“The gods destroyed us long ago.”

“She has no tricks, she is as simple and clear as the water.”

“Fuck fate, we’re free!”

“Those of us who declare ourselves free, we’re just fools.”

I wish I had more wine.

“The men from the hunger charity are still waiting.”

“Send them in, and send in the lunch.”

“I’m as busy as a call girl on Valentine’s Day.”

There seems to be a lot of crosstalk on the audio track.

“Let me tell you, it is heaven and hell, it is sublime and terrible.”

Golf club scissors fight!

“A toast to justice! For one day, she was not blind.”

“The fighting has ended, but the echoes of bombs keep screaming inside my head.”

“Because you’re beautiful even the lies that fly out of your mouth sound pretty, like the truth. But I know better.”

Well that was different.

Dark (7/10)

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So we open with hot, naked lesbo sex. I’m good with that. But, it’s not kinky enough for our main lesbo (Kate), and it’s too kinky for our supporting lesbo. Which is a recipe for frustration, no doubt. Much like the next 20 minutes of the movie, where Kate goes about her daily business, which is exceptionally mundane. Then, finally, there’s a blackout in the city (New York I think, or maybe some Canadian shithole), so maybe something interesting is about to happen… And, no. Nothing continues to occur. We watch as Kate puts batteries in her ghetto blaster. We watch as Kate plays a CD on the ghetto blaster. We watch as Kate looks at not-naked pictures of ex-girlfriends while listening to the CD playing on the ghetto blaster. Kate looks stressed out and bored. So, presumably, do I at this point. Oh hey, now Kate’s going out! Something’s bound to happen now! At least, I hope so, because there’s an hour of movie left at this point. So she goes to a club and meets a pretentious douchenozzle from Canada (yeah, we’ve established this is New York now, in belaborous detail), and they have a super-tedious conversation about boring shit. At this point, I check to see if this was written by a woman, because sometimes women have odd ideas about what should be in horror movies. But no, it’s some dude named “Elias”. Just Elias. Like, you know, Sting, or somebody. Then she wants to have sex, but he won’t because they’ve both been drinking and he’s Canadian. So she stumbles out of the club, pukes in the street, and totters off home. And now there’s 45 minutes left in the movie and I’m worried I might not have enough laundry left to fold to keep me busy for that long. Then Canadia-boy figures out he’s got at least one nut and shows up at her apartment, where they fuck, off-screen goddammit. So I guess she’s not 100% lesbo. Then in the next scene, she’s bitching to him about how shitty her life is, except that he’s not there, so he either left or he was never there in the first place. I’m out of laundry to fold, so I begin to contemplate my navel more closely. Is that some lint? Oh hey, she took her shirt off and there’s boobies and flashbacks. Now I think she’s contemplating suicide; I know I am. 30 minutes left. Remember kids, I’m doing this for you. Normally by now I’d be wrapping up the part where I talk about the plot, but nothing has really happened, so it’s difficult to figure out where to leave off.  Maybe when I get to the end of the movie, I’ll be able to figure out the point at which the plot thickened. So hold on, I’ll be back after the end, if I haven’t blown my brains out.

Ok, I’m back. Turns out I did pick the right spot, which makes sense, because I’m a professional. And as a professional, I can admit when I’m wrong. The stuff that happened in the last 30 minutes of this movie, while still not exactly throbbing with action, made me reevaluate everything that had happened up to that point, and I actually have to say, this was quite good in a very subtle, slow-burn way. Probably not for everyone, but it was not at all what I thought it would be. Also, Whitney Able was really damn good as Kate. So, I’m going to call this recommended, if you’re up for something that’s really more of a psychodrama with some horror overtones. And it does have some nice boobage.

Chopping Mall (7/10)

The Park Plaza mall has just brought its new Protectors robot security program online, and promised “Don’t worry. Nothing can possibly go wrong.” So we now how that’s going to go. The way it goes is a freak lightning storm that scrambles the brains of the Killbots. Or does it? Yeah, it does. I’m not sure why I asked that. Coincidentally, some guys that work at the furniture store are planning an after-hours party with the food court girls. As you may have guessed, mayhem ensues. Fortunately, this is the 80s, so the mall has a gun store, and our spunky kids are able to arm themselves and fight back!

God I love the 80s. They really knew what you need in a horror movie back then: Killer robots, lasers, electrocutions, oddly colored fake blood, exploding heads, flame-throwers, and boobs. Lots and lots of boobs. Well, maybe not lots ands lots, but it’s not a paucity. Anywho, this is a semi-classic Roger Corman 80s movie featuring some familiar faces — including Barbara Crampton (boobs!) and Kelli Maroney, and cameos from Mary Woronov, Dick Miller, and Paul Bartel. And the Killbots are actually pretty cool. It’s not the best the decade has to offer, but it’s not bad either. Worth a watch for nostalgia and boobs, if nothing else.

12/12/12 (3/10)

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We open with a nude woman tied to a table with a dude smearing blood all over her and then human sacrificing her (I don’t know about you, but I think this is THE BEST way to start a movie; unfortunately, it’s all downhill after that). Sometime later, a woman gives birth to a demon baby that immediately strangles the delivery room doctor and nurse with its umbilical cord. Despite that, the couple is allowed to take the baby home, where it promptly bites her nipple, then later wakes her up in the middle of the night in the most WTF way possible (let’s just say it headed south from the nipple), and then kills the husband. The cops and Child Social Services show up and want to take the baby away, which the mother objects to, even though it’s obviously a creepy killer demon baby from hell. Anyway, the chick from CSS takes the baby and is promptly killed by it, so it is returned to its mother. For some reason, nobody seems all that concerned that the baby is killing everyone in sight and going down on mom. Meanwhile, some underwear-model-lookin’-dude is trying to steal the baby… for Satan!

This movie was dumb. The dialogue was dumb. The plot was dumb. The baby was dumb. The mother was dumb. The cops were dumb. Everything was dumb. But, it was also pretty funny. And watching the baby attack people even though it seemed otherwise completely unable to move was borderline hilarious. And there were some boobs. So, overall, it could have been worse. But not much. Oh, and I guess this was a sequel to 11/11/11, which I don’t remember too much about, other than it was somewhat less dumb than this one. And, this is followed by 13/13/13, which doesn’t even make calendrical sense. I haven’t seen that one yet, but I’ll let you know when I do.

UPDATE: My review of 13/13/13 Is here!

Devil’s Tower (8/10)

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A couple go up to the roof of a council high-rise to make out. Mid-snog, they suddenly start attacking each other for no apparent reason, and they both end up dead. The next day a new tenant, cutie-pie Sarah, arrives. Of course the building is shitty and full of squatters, because socialism. Sarah finds out from some friendly neighbors that she’s moving into the “murder flat”, and that the building is, of course, haunted. Soon, tenants start showing up on the antique TVs that are scattered throughout the building and start behaving very strangely and the whole building turns into a big zombie death- and fuck-fest. And then things get weird.

As you may have guessed from the word choices, this is British. That’s not terribly relevant, but I thought I’d mention it. Anywho, this starts out fairly serious, and then transitions to an almost slapstick comedy as it progresses and things go silly buggers (that’s a Britishism; I know this because I’m very cosmopolitan). This was a peculiar hybrid of family drama, ghost story, world-gone-mad, zombies, and it was quite a bit of fun. Also, there was a fair number of boobies, so that’s a point in its favor. Overall, quite worth a watch, and another good entry in the UK horror catalog. In fact, it was so good, I accidentally watched it twice.

Room 6 (3/10)


Amy, who’s been having dreams about waking up in the middle of surgery, is riding with her boyfriend Nick when they get into a car crash. An ambulance shows up from out of nowhere and hauls off the injured boyfriend, but won’t bring Amy along or tell her where they’re going. She makes her way to the nearest hospital but Nick’s not there, but she finds Lucas, the driver from the other car, who is looking for his sister that was taken away by another ambulance. Together they call all the local hospitals with no luck, and are then attacked by a homeless Kane Hodder who has a bad case of demon-face. Meanwhile, things are not at all right at whatever facility Nick ended up at, where he’s being “cared for” by several hot but creepy nurses who like to take blood samples, get naked, and make out with each other. As the plot thickens, Amy starts having weirder dreams, sees demon faces everywhere, and complete strangers all seem to know her name. And Lucas gets all handsy and seems to be more sinister than expected. Meanwhile there’s a strange little girl who seems to know all about what’s going on, because of course there is. And there’s some sort of backstory involving Amy’s father which I couldn’t be arsed with paying attention to. Oh, did I mention the flying priest?

I’m pretty sure someone took a stack of horror movie screenplays, threw them in a blender, poured the results into a casserole dish, and baked it for 94 minutes. If it weren’t for the boobs I’d think this was made for SyFy. Sadly, the boobs are present in insufficient quantities to make up for the mish-mashed plot and general ineptitude of the filmmaking. The flying priest was inadvertently hilarious though, so there’s that. Overall, worth a watch only if you’ve already watched everything that’s better than this, which is most things.

The Autopsy of Jane Doe (8/10)


We open with police arriving at the scene of a multiple homicide in Grantham, Virginia. After surveying the scene and finding several people dead from considerable violence, the sheriff is summoned to the basement, where forensics techs have discovered the nude body of a young woman, partially buried in the dirt floor. The sheriff take Jane Doe to the local  morgue, run by a father (played by the always-great Brian Cox) and his son (played by some guy), interrupting the son’s plans for a hot date with a chick that likes to look at corpses. At first, the corpse seems immaculate, but the father and son team soon finds bizarre and disturbing internal injuries. As they dig deeper, a storm rolls in and strange things begin to happen in the creepy and labyrinthine old morgue.

First off, kudos to Olwen Kelly for laying around nude and dead for most of the movie and not even looking like she was cold; that’s some fine work right there. This was very good, with a great old-school vibe and lots of creepy and atmospheric moments. There were, however, a couple of things that kept it from being great. Without going into too much detail, I will say that it went a bit heavy on foreshadowing a couple of things, and there was a bit of exposition that seemed unnecessary and smacked a bit of political agenda. Other than those minor missteps, this is a fine effort. I don’t think it quite lives up to the hype that it has gotten, but it’s still well done and certainly worth a watch. Also, nice boobs, even if they were dead.

Demon Kiss (3/10)

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Yeah, I’m pretty sure that some porn actors and actresses were sitting around with nothing to do and decided to make a horror movie, and this was the result. Not very good, but lots of nudity. Which, of course, is better than a not-very-good horror movie with no nudity.

Hold Your Breath (6/10)

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Opening scene: It’s the 1950s and a sadistic serial killer is about to be executed for his crimes. Some shit happens, he kills a couple of guards and almost escapes, before finally being fried in the electric chair.

Cut to: Some young’uns are going camping and lock their cellphones up in the van’s glovebox (could this possibly be relevant later?!!!) As they drive past a cemetary, one of the girls says everyone should hold their breath because spirits might be roaming around and get sucked in as they drive passed. She says this is a thing, but nobody else in the movie has ever heard of it, but of course it must be a thing. Everyone reluctantly agrees, but the pot-smoking dudebro coughs on his pipe and ends up sucking in the serial killer’s spirit, dooming everyone to a horrible, painful, and somewhat entertaining death.

So, first, when Katrina Bowden is only the second-hottest chick in the movie, you’re in good shape babe-wise. The hottest chick seems to be dressed like Lara Croft for some reason, but I’m good with that. Later she is naked in a completely gratuitous (best kind, obviously) sex scene. There’s also some other nice boobs. Plot is bog-standard but executed (heh) well enough. Worth a watch for boobage and a couple of silly but impressive death gags. I gotta knock it for too much CGI gore though, that shit just don’t look right.

Slink (5/10)

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Creepy dude runs a tanning salon and kills his young female customers. His creepy wife then makes handbags out of them. I think some other stuff was going on too, but I wasn’t really paying that much attention. The 5/10 rating is for the copious nudity, not for the plot or production values.