Sweatshop (6/10)

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A bunch of slutty retarded goth losers are setting up for a rave in an old abandoned warehouse when a masked killer starts dispatching them in increasingly graphic and creative ways. This plot is so simple I don’t even need commas.

Lots of titties and humping. Good stuff.

The Monster (5/10)

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Super-shitty mother Kathy is driving her daughter Lizzy to see Lizzy’s dad, who she wants to live with instead of her loser alcoholic skanky-ass mom for some reason. As they are driving late that night on a desolate road through dense woods, they hit something and crash the car. They investigate and find a dead wolf, but not all of the wounds seem to be from the crash, and a huge tooth is found in one of the gashes. Once the tow-truck arrives, the driver is attacked and they realize they have bigger problems than just dysfunctional family dynamics.

So, I thought this was going to be really good. And it was, for a while. The first act did well at setting up the mother and daughter characters, and the performances were quite good. The second act was atmospheric and the monster itself was very well realized, though by this point the mother/daughter weepy flashbacks were getting a bit heavy-handed. And then the third act hits, and everyone in the movie immediately becomes a total idiot and makes the worst possible choices. Unfortunately, pathos and bathos bring down what could have been a very fine monster flick. Is it really asking too much to have a kick-ass monster wreaking havoc these days without having a heaping helping of domestic issues thrown in? Apparently, yes.

Electra Love 2000 (5/10)

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Watching Troma’s “Electra Love 2000”. I think I have uncovered a forgotten masterpiece of campy crap.

What the hell is happening?

Holy shit this is dumb.

I’m still not sure if this is good dumb or bad dumb.

I’m leaning toward bad dumb.

If we could get some titties up in here my opinion might shift.

And now it’s a musical.

Wait, is that Kim Greist?

No, it’s not.

“Dope-addicted street-stroller.” That’s a new one.

Wait, is this based on Hamlet?

I think this is based on Hamlet.

Or maybe Hamlet is based on Electra. Either way, it seems similar.

Ho’s got hooked up with a new, scrupulous pimp.

This is getting very Shakespearean.

Definitely good dumb. Maybe not even dumb at all. Still no titties though.

Pimp Shakespeare: “Life is a hell for me. I don’t even have sex any more. Do you know who washes dishes every night around here? I do. And you call me scum.”

Ho: “If you leave us, baby, the one dry candle in our dark lives will dematerialize into the infinity of non-being.” Whoa. Deep.

Ho: “We hate men, and men hate us. That’s why we get along so well.” Oh hey, titties!

Ho, with titties out: “I knew this guy once, and he believed in the concept of enemies. And he was going to be married. And then one night he listened to the president speak on television. ‘The Enemy is Evil. The Enemy commits atrocities against his peaceful neighbor. We must rush to the aid of the peaceful neighbor. Defend peace, defend freedom, defend your God, your home, your kitty cats, your trash cans.’ And he believed him. And now he’s dead, and his fiancee is a whore. That’s the joke.” Nice titties.

Ho: “Revenge for the past isn’t good.”

Boom mike.

“The promises you make as a child are the ones you must keep.”

“Vengeance is a fire that burns inside her.”

“This is a matter for doing, not for thinking.”

This is definitely a masterpiece of something.

“How can an idiot like you beat a genius like me?”

“Divide, and conquer.”

“When we find we’ve been going in the wrong direction, we must stop, and reverse ourselves.”

Oh, weird erotic poetry!

“Between the opening of of mother’s birth and the closing casket of death. And those that do not see me, do not know the happiness they have missed.”

“I sometimes think that all of us are artists that never were.”

“Political economy is an exciting field for many.”

“Oh, ménage à cinq!”

“Are you such a civilized man, your soul can’t be touched?”

“You would be surprised at the number of things that seem wicked from the outside, but are actually quite nice from within.”

Boom mike.

“I’ve always tried to seek being from nothingness.”

Fuck, I’m out of wine.

“That is my curse. I have found too much truth. People talk a lot about truth, but they won’t pay a penny for it. Lies, they’ll pay millions for.”

“In plain English, why don’t you have the guts to murder the man that killed your father.”

“I’m a free man and I determine the meaning of this game, and it means nothing to me.”

“Cops don’t protect you, Insurance agents don’t protect you. Your deodorant doesn’t protect you. And your magic charms really don’t protect you.”

“The gods destroyed us long ago.”

“She has no tricks, she is as simple and clear as the water.”

“Fuck fate, we’re free!”

“Those of us who declare ourselves free, we’re just fools.”

I wish I had more wine.

“The men from the hunger charity are still waiting.”

“Send them in, and send in the lunch.”

“I’m as busy as a call girl on Valentine’s Day.”

There seems to be a lot of crosstalk on the audio track.

“Let me tell you, it is heaven and hell, it is sublime and terrible.”

Golf club scissors fight!

“A toast to justice! For one day, she was not blind.”

“The fighting has ended, but the echoes of bombs keep screaming inside my head.”

“Because you’re beautiful even the lies that fly out of your mouth sound pretty, like the truth. But I know better.”

Well that was different.

Room 6 (3/10)


Amy, who’s been having dreams about waking up in the middle of surgery, is riding with her boyfriend Nick when they get into a car crash. An ambulance shows up from out of nowhere and hauls off the injured boyfriend, but won’t bring Amy along or tell her where they’re going. She makes her way to the nearest hospital but Nick’s not there, but she finds Lucas, the driver from the other car, who is looking for his sister that was taken away by another ambulance. Together they call all the local hospitals with no luck, and are then attacked by a homeless Kane Hodder who has a bad case of demon-face. Meanwhile, things are not at all right at whatever facility Nick ended up at, where he’s being “cared for” by several hot but creepy nurses who like to take blood samples, get naked, and make out with each other. As the plot thickens, Amy starts having weirder dreams, sees demon faces everywhere, and complete strangers all seem to know her name. And Lucas gets all handsy and seems to be more sinister than expected. Meanwhile there’s a strange little girl who seems to know all about what’s going on, because of course there is. And there’s some sort of backstory involving Amy’s father which I couldn’t be arsed with paying attention to. Oh, did I mention the flying priest?

I’m pretty sure someone took a stack of horror movie screenplays, threw them in a blender, poured the results into a casserole dish, and baked it for 94 minutes. If it weren’t for the boobs I’d think this was made for SyFy. Sadly, the boobs are present in insufficient quantities to make up for the mish-mashed plot and general ineptitude of the filmmaking. The flying priest was inadvertently hilarious though, so there’s that. Overall, worth a watch only if you’ve already watched everything that’s better than this, which is most things.

Demon Kiss (3/10)

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Yeah, I’m pretty sure that some porn actors and actresses were sitting around with nothing to do and decided to make a horror movie, and this was the result. Not very good, but lots of nudity. Which, of course, is better than a not-very-good horror movie with no nudity.

RWD (8/10)

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Two doofuses (doofi?) with a YouTube ghost-hunting show go to investigate a family’s haunted house out in the woods, but they got the date wrong and the family is out of town. So, instead, they wander around the woods and find an old silo with a creepy underground complex below it. They investigate the complex and decide to make their latest episode about it instead of the haunted house. While wandering, weird things begin to happen, they catch glimpses of people that look surprisingly familiar, and then some sort of weird sparkly stuff comes out of a laptop monitor and sends them… back…

This was an interesting take on the usual found footage ghost-hunter shows that are ubiquitous right now, mixing in some mind-bending sci-fi concepts that I shouldn’t talk about too much for fear of spoiling the fun. The actors are also rather amusing in their doofusness (doofosity?), and the tonal shift late in the movie from deadly silliness to deadly seriousness is handled quite well. Definitely worth a watch.

Hold Your Breath (6/10)

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Opening scene: It’s the 1950s and a sadistic serial killer is about to be executed for his crimes. Some shit happens, he kills a couple of guards and almost escapes, before finally being fried in the electric chair.

Cut to: Some young’uns are going camping and lock their cellphones up in the van’s glovebox (could this possibly be relevant later?!!!) As they drive past a cemetary, one of the girls says everyone should hold their breath because spirits might be roaming around and get sucked in as they drive passed. She says this is a thing, but nobody else in the movie has ever heard of it, but of course it must be a thing. Everyone reluctantly agrees, but the pot-smoking dudebro coughs on his pipe and ends up sucking in the serial killer’s spirit, dooming everyone to a horrible, painful, and somewhat entertaining death.

So, first, when Katrina Bowden is only the second-hottest chick in the movie, you’re in good shape babe-wise. The hottest chick seems to be dressed like Lara Croft for some reason, but I’m good with that. Later she is naked in a completely gratuitous (best kind, obviously) sex scene. There’s also some other nice boobs. Plot is bog-standard but executed (heh) well enough. Worth a watch for boobage and a couple of silly but impressive death gags. I gotta knock it for too much CGI gore though, that shit just don’t look right.

Old 37 (2/10)

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“Disguised as paramedics, two psychopaths intercept 911 calls and hunt down unsuspecting teenage accident victims in a stolen ambulance known as Old 37.”

Or at least that’s what the description says. All I saw were a bunch of random events that seemed disconnected and nonsensical. This was directed by Alan Smithee, who I’m not all that familiar with, but apparently he’s made a LOT of movies over a long period of time, and they’re pretty much all bad. He must be like a hundred or something by now. Anyway, add another one to his “winning” streak!

The only good part was this one chick getting stabbed in her fake boob. And they were brand new too! That’s gotta suck. Also, Kane Hodder and Bill Moseley are in this, but unfortunately even they couldn’t save it from Smithee’s shaky hands.

Chopping Block (8/10)

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A group of incompetents just laid off from their cubicle jobs decide, after many drinks, to kidnap and ransom their ex-boss’s daughter. They actually end up saving her from a huge, deranged woman that’s been trying to kill her for years, and the killer now comes after all of them. Many more drinks and inept decisions follow.

This low-budget horror-comedy was freakin’ hilarious. Think “Office Space” with more kidnapping and murdering. Good performances all around make this one a quality effort, and the depth of idiocy of the protagonists is impressive. Very silly, but highly recommended.

An American Ghost Story [aka Revenant] (6/10)

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An under-employed writer (in other words, a writer), girlfriend in tow, moves into a house where a man slaughtered his family and then killed himself. The author hopes to meet the house-ghosts and write a book about it.

The ghosts show up, are very friendly, tell him everything he needs, he writes the book and makes millions of dollars, and marries his reasonably attractive girlfriend. The End.

Haha, not really! Actually, the ghosts rearrange the furniture and attack the reasonably attractive girlfriend with the kitchen cabinets, so she moves out, leaving our sad writer all alone in the ghost-house. After that, he starts wandering around the house, talking to disembodied voices of kids, and playing with stuffed animals.

So, this is a very simple, super-low-budget, single-location movie without a lot of action or special effects, at least until the end. It does establish a good story and spooky atmosphere, and pays off pretty well at the end with some simple, but well-done, practical effects. And, for once, it’s not found footage, which is a nice plus. No boobage, reasonably attractive or otherwise. Overall, pretty slow for most of the run, but not a bad watch.